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Kicks off Summer at the Clark with a Clambake

Winslow Homer, Sea-Side Sketches—A Clam Bake, 1873 

Tuxedos take a back seat to lobster bibs as the Sterling and Francine Clark Art Institute kicks off summer with a clambake on Saturday, June 8 at 6:30 pm. The gala celebrates the opening of the exhibitions Winslow Homer: Making Art, Making History and George Inness: Gifts from Frank and Katherine Martucci. Tickets are $125 ($100 for Clark members) and may be reserved by visiting clarkart.edu.

Guests will enjoy cocktails, a raw bar, and other appetizers, followed by a sumptuous buffet dinner of lobster, clams, barbecued chicken, and many side dishes. Live entertainment includes pianist Bob Werbel, performance artists The Silver Swimmers, and the band The Wandering Rocks, who will sing sea shanties.

Galleries will be open until the close of the event, allowing partygoers to view the Homer and Inness exhibitions a day before they open to the public.

About the Exhibitions
Winslow Homer: Making Art, Making History

Robert Sterling Clark declared that Winslow Homer (American, 1836–1910) was one of the greatest artists of the nineteenth century. After purchasing his first Homer painting in 1915, Clark began a passion that would last for decades and would become the greatest collection of works of Winslow Homer ever assembled by one person after the artist’s death—and one of the leading collections of any art museum in the United States. This exhibition showcases some sixty oil paintings, watercolors, drawings, and etchings, as well as approximately 120 rarely seen wood engravings.

George Inness: Gifts from Frank and Katherine Martucci

This exhibition celebrates the most significant contribution to the Clark’s American art collection since the museum’s founding. Eight paintings by American landscape painter George Inness are presented with two additional works by Inness which were purchased by Sterling Clark and have been a part of the museum’s collection since 1955. The canvases represent an excellent survey of the artist’s late work when Inness moved from the open-air painting and naturalism of his early career toward a more conceptual approach to capturing mood and the play of light and shadow.

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    • #the sterling and francine clark art institute
    • #the clark
    • #gala night
    • #clam bake
    • #Winslow Homer
    • #George Inness
    • #Winslow Homer: Making Art Making History
    • #George Inness: Gifts from Frank and Katherine Martucci
    • #Williamstown ma
    • #williamstown massachusetts
    • #the berkshires
  • 2 days ago
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Free Concert at the Clark by Harpischordist Victor Hill

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Renowned harpsichordist Victor Hill will present a free solo recital at the Sterling and Francine Clark Art Institute on Sunday, May 5 at 3 pm. Admission is free.

The recital will feature “Goldberg Variations” by J. S. Bach. This work is the culmination of Bach’s harpsichord compositions.

Hill was a professor of mathematics at Williams College for forty years. He studied the harpsichord in Amsterdam with the noted Dutch harpsichordist Gustav Leonhardt and has played more than 900 concerts throughout the United States and in Europe. Hill plays the double-manual harpsichord of eighteenth-century design that was custom built for him in 1997 by Richard Kingston of Asheville, North Carolina. He tunes the instrument himself in a common eighteenth-century pitch and temperament.

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    • #the sterling and francine clark art institute
    • #the clark
    • #Victor Hill
    • #free concert
    • #harpsichord
    • #Williamstown ma
    • #the berkshires
  • 2 weeks ago
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Public Lecture at the Clark: The Art of Edward Hopper

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You’re invited to join us this Sunday, April 28, at 2pm for a very  special afternoon with 2012 Clark Prize recipient Brian O’Doherty. O’Doherty’s lecture, “Hopper’s Windows,” offers personal insights into the life of his longtime friend, the enigmatic artist Edward Hopper. O’Doherty will take questions from the audience before introducing Hopper’s Silence, a documentary film he created in 1981. The film, which begins at 3pm, examines Hopper’s paintings and the locations that inspired them, includes footage taken in the artist’s New York City studio as well as interviews with acquaintances.
 
About Brian O’Doherty
A man of many parts, Brian O’Doherty’s most durable identity has been both as artist and writer. He joined the New York Times as an art critic in 1961, was the editor of Art in America from 1971 to 1974, and has published many critical essays and several books, including Object and Idea, American Masters: the Voice and the Myth; the influential Inside the White Cube: Ideologies of the Gallery Space; and Studio and Cube.

In addition to these achievements, O’Doherty has served as director of both the visual arts and film and media programs at the National Endowment for the Arts; taught film and art criticism at Barnard College and Long Island University; and has written two works of fiction, The Strange Case of Mademoiselle P. and The Deposition of Father McGreevy, which was nominated for the Booker Prize in 2000. He is a recipient of the College Art Association’s Mather Award for art criticism.

As an artist, O’Doherty has exhibited at Documenta and the Venice Biennale and shown widely in Europe and America. He has had several retrospectives, most recently at New York University’s Grey Gallery in 2007. In 2012, the Galerie Thomas Fischer in Berlin hosted his most recent exhibition, where he was a guest of the Kulturstiftung des Bundes. Frequently intrigued by issues of identity, O’Doherty began signing his work under the name Patrick Ireland as a response to the “Bloody Sunday” killings in his native Ireland in 1972. He maintained the pseudonym for 36 years until formally burying the identity after Northern Ireland established an all-party government in 2008.

Trained as a physician, O’Doherty holds a medical degree from University College Dublin and conducted research in experimental psychology at Cambridge University. He earned a master’s degree in public health from Harvard University after emigrating in 1957.

    • #the sterling and francine clark art institute
    • #the clark
    • #Edward Hopper
    • #public lectures
    • #Brian O'Doherty
    • #Williamstown ma
    • #the berkshires
  • 3 weeks ago
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Clark Covers: In the spirit of our exhibit Clark Remix, in which visitors can curate their own show using the Clark’s collection, we’re looking through our archives to find scenes of life around the Clark which mirror (or “cover”) works from our collection.
Left:Claude MonetThe Duck Pond, 1874Oil on canvas© The Sterling and Francine Clark Art Institute, Williamstown, Massachusetts1955.529
Right:A golden autumn afternoon at the Clark’s lily pond. Photo credit: Michelle Slowey
Zoom Info
Clark Covers: In the spirit of our exhibit Clark Remix, in which visitors can curate their own show using the Clark’s collection, we’re looking through our archives to find scenes of life around the Clark which mirror (or “cover”) works from our collection.
Left:Claude MonetThe Duck Pond, 1874Oil on canvas© The Sterling and Francine Clark Art Institute, Williamstown, Massachusetts1955.529
Right:A golden autumn afternoon at the Clark’s lily pond. Photo credit: Michelle Slowey
Zoom Info

Clark Covers: In the spirit of our exhibit Clark Remix, in which visitors can curate their own show using the Clark’s collection, we’re looking through our archives to find scenes of life around the Clark which mirror (or “cover”) works from our collection.

Left:
Claude Monet
The Duck Pond, 1874
Oil on canvas
© The Sterling and Francine Clark Art Institute, Williamstown, Massachusetts
1955.529

Right:
A golden autumn afternoon at the Clark’s lily pond. Photo credit: Michelle Slowey

    • #the sterling and francine clark art institute
    • #the clark
    • #the berkshires
    • #Claude Monet
    • #The Duck Pond
    • #lily pond
    • #autumn
    • #fall
  • 8 months ago
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John Singer SargentMadame Escudier, c. 1883Oil on canvas© Sterling and Francine Clark Art Institute, Williamstown, MA1955.581
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John Singer Sargent
Madame Escudier, c. 1883
Oil on canvas
© Sterling and Francine Clark Art Institute, Williamstown, MA
1955.581

    • #The Sterling and Francine Clark Art Institute
    • #The Clark
    • #John Singer Sargent
    • #Madame Escudier
    • #The Berkshires
  • 8 months ago
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Clark Covers: In the spirit of our exhibit Clark Remix, in which visitors can curate their own show using the Clark’s collection, we’re looking through our archives to find scenes of life around the Clark which mirror (or “cover”) works from our collection.
Top image:Winslow Homer Two Guides (c. 1875) Oil on canvasSterling and Clark Art Institute, Williamstown MA 1955.3
Bottom image:A group of visitors at the Clark on Fall Family Day in 2008 pause on Stone Hill to admire the turning leaves. Picture by A. Blake Gardner.
Zoom Info
Clark Covers: In the spirit of our exhibit Clark Remix, in which visitors can curate their own show using the Clark’s collection, we’re looking through our archives to find scenes of life around the Clark which mirror (or “cover”) works from our collection.
Top image:Winslow Homer Two Guides (c. 1875) Oil on canvasSterling and Clark Art Institute, Williamstown MA 1955.3
Bottom image:A group of visitors at the Clark on Fall Family Day in 2008 pause on Stone Hill to admire the turning leaves. Picture by A. Blake Gardner.
Zoom Info

Clark Covers: In the spirit of our exhibit Clark Remix, in which visitors can curate their own show using the Clark’s collection, we’re looking through our archives to find scenes of life around the Clark which mirror (or “cover”) works from our collection.

Top image:
Winslow Homer
Two Guides (c. 1875)
Oil on canvas
Sterling and Clark Art Institute, Williamstown MA
1955.3

Bottom image:
A group of visitors at the Clark on Fall Family Day in 2008 pause on Stone Hill to admire the turning leaves. Picture by A. Blake Gardner.

    • #the sterling and francine clark art institute
    • #the clark
    • #Clark Covers
    • #Winslow Homer
    • #Two Guides
    • #The Berkshires
    • #Berkshire County
  • 8 months ago
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Two young visitors show off their balloons - and painted faces - during the Clark’s Family Day 2012, which was themed as a Chinese street festival.
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Two young visitors show off their balloons - and painted faces - during the Clark’s Family Day 2012, which was themed as a Chinese street festival.

    • #The Sterling and Francine Clark Art Institute
    • #The Clark
    • #The Berkshires
    • #Berkshire County
    • #Williamstown MA
    • #Family Day
    • #Chinese street festival
  • 8 months ago
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Flashback Friday: Two children try to pass an apple back and forth — without using their hands — in this great picture from June Family Day in 1995.
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Flashback Friday: Two children try to pass an apple back and forth — without using their hands — in this great picture from June Family Day in 1995.

    • #The Sterling and Francine Clark Art Institute
    • #The Clark
    • #Family Day
    • #Flashback Friday
    • #Berkshire County
    • #The Berkshires
  • 8 months ago
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The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces.
This installation, called Ages through the Ages, uses paintings across centuries to wonderful effect: “The Portraits in this exhibit are grouped by the stages of life, starting with children to the left of the entrance, and ending with portraits of older subjects.” We think it’s like looking at one family’s photo album.
Pop-upView Separately

The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces.

This installation, called Ages through the Ages, uses paintings across centuries to wonderful effect: “The Portraits in this exhibit are grouped by the stages of life, starting with children to the left of the entrance, and ending with portraits of older subjects.” We think it’s like looking at one family’s photo album.

    • #the sterling and francine clark art institute
    • #the clark
    • #The Weekly 'Mix
    • #uCurate
    • #Clark Remix
    • #The Berkshires
    • #Berkshire County
  • 8 months ago
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Happy birthday, Constant Troyon! One of our youngest fans expressed his appreciation for this painting during the Clark’s 50th anniversary:

“Oscar has lots to say when we look at this painting. ‘Mooo brow wha’ (brown and white cow) and ‘baa wha’ (white sheep) and ‘die’ (neigh, for horse) and ‘wah’ (walk, because they’re on a walk). It’s the first painting he chooses when we come to the museum.”Oscar Low, 19 months As told to his mother, Molly H. Polk Williamstown, Massachusetts

To read more about other favorite works from the Clark’s collection, visit our 50th anniversary microsite.
Image credit:Constant TroyonGoing to Market on a Misty Morning, 1851Oil on panel© Sterling and Francine Clark Art Institute, Williamstown, MA1955.880
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Happy birthday, Constant Troyon! One of our youngest fans expressed his appreciation for this painting during the Clark’s 50th anniversary:

“Oscar has lots to say when we look at this painting. ‘Mooo brow wha’ (brown and white cow) and ‘baa wha’ (white sheep) and ‘die’ (neigh, for horse) and ‘wah’ (walk, because they’re on a walk). It’s the first painting he chooses when we come to the museum.”

Oscar Low, 19 months
As told to his mother, Molly H. Polk
Williamstown, Massachusetts

To read more about other favorite works from the Clark’s collection, visit our 50th anniversary microsite.

Image credit:
Constant Troyon
Going to Market on a Misty Morning, 1851
Oil on panel
© Sterling and Francine Clark Art Institute, Williamstown, MA
1955.880

    • #the sterling and francine clark art institute
    • #the clark
    • #Constant Troyon
    • #Going to Market on a Misty Morning
    • #The Berkshires
    • #Berkshire County
  • 8 months ago
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About

Avatar The Sterling and Francine Clark Art Institute is an internationally-renowned museum and research center with outstanding collections of European and American fine and decorative art.

225 South Street
Williamstown, MA 01267
Tel. 413 458 2303

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