The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces. This week’s uCurate show, titled What r u looking @? juxtaposes a variety of styles of sculpture and painting with a dynamic color scheme. We love the combination of Louis-Leopold Boilly and Francois-Joseph Navez’s realistic paintings with Degas’ bronze ballerinas!
Pop-upView Separately

The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces.

This week’s uCurate show, titled What r u looking @? juxtaposes a variety of styles of sculpture and painting with a dynamic color scheme. We love the combination of Louis-Leopold Boilly and Francois-Joseph Navez’s realistic paintings with Degas’ bronze ballerinas!

The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces. This week’s virtual gallery, titled Imp’s Favorites, brims with paintings by George Inness, Adam Pynacker, and Winslow Homer, and features Edgar Degas’ horse sculptures.
Pop-upView Separately

The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces.

This week’s virtual gallery, titled Imp’s Favorites, brims with paintings by George Inness, Adam Pynacker, and Winslow Homer, and features Edgar Degas’ horse sculptures.

The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces. This week’s exhibition, titled Devoid of Colour? presents paintings and sculptures from around the world in rich neutral shades. In the guest curator’s words: “Some of the monochrome surfaces contradict the rich colours one may expect. In fact, many of the works seem devoid of colour. Yet, in between the shades of grey spots of red emerge, tones of ocher (sic) make up the background and (ever so quietly) tones of yellow, green, and brown surface…” With artwork by Edgar Degas, Louis-Leopold Boilly, Augustin Pajou, and Ammi Phillips, Devoid of Colour? is a many-layered exhibition.
Pop-upView Separately

The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces.

This week’s exhibition, titled Devoid of Colour? presents paintings and sculptures from around the world in rich neutral shades. In the guest curator’s words:

“Some of the monochrome surfaces contradict the rich colours one may expect. In fact, many of the works seem devoid of colour. Yet, in between the shades of grey spots of red emerge, tones of ocher (sic) make up the background and (ever so quietly) tones of yellow, green, and brown surface…”

With artwork by Edgar Degas, Louis-Leopold Boilly, Augustin Pajou, and Ammi Phillips, Devoid of Colour? is a many-layered exhibition.

Clark Covers: In the spirit of our exhibit Clark Remix, in which visitors can curate their own show using the Clark’s collection, we’re looking through our archives to find scenes of life around the Clark which mirror (or “cover”) works from our collection. Top image:Hilaire Germain Edgar DegasEntrance of the Masked Dancers, 1879Pastel on paperSterling and Francine Clark Art Institute1955.559 Bottom photo:Dancers in French- and Spanish-inspired costumes parade in front of the Manton Research Center on Family Day 2009, which was themed around the summer’s exhibition, “Picasso Looks at Degas.”
Zoom Info
Clark Covers: In the spirit of our exhibit Clark Remix, in which visitors can curate their own show using the Clark’s collection, we’re looking through our archives to find scenes of life around the Clark which mirror (or “cover”) works from our collection. Top image:Hilaire Germain Edgar DegasEntrance of the Masked Dancers, 1879Pastel on paperSterling and Francine Clark Art Institute1955.559 Bottom photo:Dancers in French- and Spanish-inspired costumes parade in front of the Manton Research Center on Family Day 2009, which was themed around the summer’s exhibition, “Picasso Looks at Degas.”
Zoom Info

Clark Covers: In the spirit of our exhibit Clark Remix, in which visitors can curate their own show using the Clark’s collection, we’re looking through our archives to find scenes of life around the Clark which mirror (or “cover”) works from our collection.

Top image:
Hilaire Germain Edgar Degas
Entrance of the Masked Dancers, 1879
Pastel on paper
Sterling and Francine Clark Art Institute
1955.559

Bottom photo:
Dancers in French- and Spanish-inspired costumes parade in front of the Manton Research Center on Family Day 2009, which was themed around the summer’s exhibition, “Picasso Looks at Degas.”