The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces. Who hasn’t visited a museum and wished they could own some of the works of art from the collection? This week’s uCurate gallery reflects that idea, and is aptly named What Would Look Good In My Living Room. While Jane Avril, the Canon Gilles Joye, and Harriet Campbell make strange companions, it’s still a striking combination of portraits!
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The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces.

Who hasn’t visited a museum and wished they could own some of the works of art from the collection? This week’s uCurate gallery reflects that idea, and is aptly named What Would Look Good In My Living Room. While Jane Avril, the Canon Gilles Joye, and Harriet Campbell make strange companions, it’s still a striking combination of portraits!

The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces. This week’s exhibition, titled Devoid of Colour? presents paintings and sculptures from around the world in rich neutral shades. In the guest curator’s words: “Some of the monochrome surfaces contradict the rich colours one may expect. In fact, many of the works seem devoid of colour. Yet, in between the shades of grey spots of red emerge, tones of ocher (sic) make up the background and (ever so quietly) tones of yellow, green, and brown surface…” With artwork by Edgar Degas, Louis-Leopold Boilly, Augustin Pajou, and Ammi Phillips, Devoid of Colour? is a many-layered exhibition.
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The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces.

This week’s exhibition, titled Devoid of Colour? presents paintings and sculptures from around the world in rich neutral shades. In the guest curator’s words:

“Some of the monochrome surfaces contradict the rich colours one may expect. In fact, many of the works seem devoid of colour. Yet, in between the shades of grey spots of red emerge, tones of ocher (sic) make up the background and (ever so quietly) tones of yellow, green, and brown surface…”

With artwork by Edgar Degas, Louis-Leopold Boilly, Augustin Pajou, and Ammi Phillips, Devoid of Colour? is a many-layered exhibition.

The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces. This gallery show, titled Mme. Monnom Considers the Children, features a portrait by Théo van Rysselberghe paired with paintings by Pierre-Auguste Renoir, Alfred Stevens, and Ammi Phillips. It also included the following wall text: “Mme. Mannom (sic) looks like she doesn’t care for children and dogs, so I have surrounded her with some!”
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The Weekly ‘Mix: Every Wednesday, the Clark spotlights one of the visitor-curated galleries from Clark Remix. uCurate is an exciting program that allows anyone to design their own gallery show; starting this fall, the Clark will bring selected virtual shows to life in one of the building’s gallery spaces.

This gallery show, titled Mme. Monnom Considers the Children, features a portrait by Théo van Rysselberghe paired with paintings by Pierre-Auguste Renoir, Alfred Stevens, and Ammi Phillips. It also included the following wall text: “Mme. Mannom (sic) looks like she doesn’t care for children and dogs, so I have surrounded her with some!”